Deciding what to demonstrate is a tough choice. It needs to be something that would be interesting to all , useful to all mediums and of course non-medium specific. I hear of some artists who turn up and start at their beginning, like drawing up and of course that's all they get done in the time allotted. Most people like to get an insight into how you do some technique. Most artists are visual learners, we need to see how its done, telling how its done reinforces this.
A demonstration should be considerate of all who are attending. It should be either a concept explained (with drawings and sketches) or a procedure shown step by step. Most Art Societies like a demonstration that is visual. If the concept is explained with paintings and other graphics it is interesting, not dry and dusty. Most times I will incorporate the concept into a procedure, that shows how to make 'X' happen.
There is a difference between a demonstration and instruction. For the most part here in Australia a demo is an instruction. In other countries it is different. A demo is the artist showing a way of working, with out talking in detail about proceedure and with no audience interaction while they are showing.
I really enjoy presenting a demonstration while being interactive with the audience. After all the audience are other painters, so I'm speaking to my tribe. That makes it both easy and scary. My style of demonstrating is to show a concept, while interacting with my tribe, my fellow painters.
Thursday (July 18) saw Alphonse and I at the Western Australian Society of Artists, the oldest art society on WA. WASA was founded in 1886. I had been invited to demonstrate to the members after the AGM. This demonstration needed to be interesting to all painters, regardless of media used. It also had to take in the range of skills and ages of the members. It is an honour to be asked to address the members , which I take seriously.
My demo was about the concept of Creating Mood in a Painting, then introducing a proceedure to make this a step by step hands on action. I asked the audience questions, had them make choices for the way the demo would go. This sort of interactive demo is not for everyone it's something that has taken a while for me to build my confidence up to. That's what I meant earlier about scary. It is still scary to go out front and talk about what I do, for about 3 minutes, then because I love painting, the nerves go as the love of subject takes over.
When you are asked to demonstrate, think about your audience and yourself as one of them. They are after all your tribe and will understand your language and arm waving gestures.
Making Pastel Happen -
a blog about everything pastel.
It's my aim to share techniques, tips, tricks, adventures, products, paintings, educate, inspire and foster the appreciation of Pastel.
I welcome your feedback and questions and don't promise to post regularly, but to let you know when I do post I'l give it my best shot to answer your questions and if I can't I'll let you know. Gee I may even be able to give you the name of someone who can answer.
Either way this blog is about making pastel happen. I sincerely wish you to join me on this adventure. best wishes, Karol